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Poems

Rhapsody for George

 

Echoes dive inside an open wound

Fleet

Fleeing

Rising—wind kicks up behind

(can’t take all the credit)

Wait for more, wait for less

Both equals same

Want more, happy when less

Want makes more of value

Hurry up, slow down

A tree is missed in fall

Welcomed in spring

Bring spring! Spring tree! Spring!

Come fall! Renew! Renew!

Pattern, pattern, pattern…

 

Wake up. Buy coffee. Quit smoking. Start

again. Sleep. Dream. Did this happen?

Come fall! Come spring! Make it happen

in the dinners, the heartaches, the broken—

buy coffee. Buy new table. Chairs. Fancy whatever.

Display! Display! Display! Display some more! Accept and question

while smiling. Sleep and dream again—

of orange perhaps, or perhaps of—

no wait, never mind. Happiness is out of

the question—seek—fulfillment? What

is the difference. Need, need 2

more chairs from Ikea, perhaps

 

A new haircut, a new girl,

(that’s for sure)

Damn that tree looks lovely—maybe

I should plant one

 

That’s it. Plant a tree. Don’t know how to

garden. Will learn! Love earth, make oxygen

paper—hug it. Done.

Earth! Daisies! Nothing more. Nothing

more.

 

Maybe a bird.

A blue jay, perhaps.

Sayonara. Hello, I’m back. Blue suits. Live with it. You’ll have to. Where

would the spectrum be without it? Sloppy zippers keep the mental

suit ragged, threadbare

play another hand, pull that card out of

the pocket—

but wait—

 

How? Do you know what I mean? Do

you mean what I think I know?

 

No.

 

Buy a new suit. Find a new, a new anew—but—but—but—

Wait! Move! March!

Orange juice, coffee, suit, what’s for breakfast for dinner? And today? Tomorrow? Yesterday?

Remember then,

Sleep.

A Shadow Lucky

For Chris, Clare, and their daughter

 

& one day my niece will

ask me to tell her more about

the time I was a shadow lucky

to be cast by the light of two

who declared their love one day &

you’ll be across the room laughing &

I’ll point at you & tell her

that’s all she really needs to know but

she’ll ask for more &

I’ll explain that

when shadows & light complement each other then

you’ve found a recipe for love

as soothing as room temperature in August &

as vital as a fireplace on December nights but

she’ll hear the laughter & have already understood that

sincere words are mere shadows smiling behind the light of true action​

Memory

 

There is an angel

trapped in a crevice

refusing to be freed.

I plead for her to flee,

while worriedly wondering

what I will do

when she listens to me.

Sestina

For Ayelet

 

If it strikes you with any sense of surprise

Then that is a fact I do not regret

Though it might confer a degree of ambivalence

To which the boldest emotional cartographer may never hope to return

There still lies in love this promise to refresh

And yet in all refreshment lies the promise of decay.

 

Should one find themselves on the island of decay

Or awash upon the gritty beaches of surprise

One might consider that they should refresh

And cleanse themselves of the grit and regret

And look toward a healthy return

To the shores across the way called "Ambivalence."

 

Once returned to the isle of "Ambivalence"

Behind your back might lurk the shadow of decay

And you might be wary of its inevitable return

(Though that should come as no surprise

in fact, and it's nothing you should regret;

rather, it's something designed to refresh)

 

And there is something in this word "Refresh"

Which carries with it a connotation that implies ambivalence

As if, in refreshment, there was an escape of regret

That was leading, inexorably, to overall decay;

If this comes as an unwelcome surprise

You needn't read on, you needn't return.

 

Should you choose, however, to grant me a return

You might find something to refresh;

Perhaps it is your own surprise

Or rather, your newfound lack of ambivalence

That throws into shadows the promise of decay;

That casts away the threat of regret.

 

Lovers and loves, I am filled with regret,

Yet each day I vow to return,

And cast aside this leech of decay

In the hopes that I bring something to refresh;

Though you might bring to me a healthy dose of ambivalence,

I might bring to you a healthy dose of surprise.

 

For it's the decay I most strongly regret;

And I mostly desire a return to the surprise—

But for now, I am content to refresh the ambivalence.

Masquerade

 

I have danced with delusions

and found them to be spirited partners

as we negotiated each treble and cleft.

 

Bereft of such noise,

I seek out my boys

And tell them to clean up their toys.

 

“Where’s Mom?” is the only question,

and “Dancing” is my only answer.

 

At night, when they are turned down,

I carry my frown to the hospital,

all the while wondering, pondering

who belongs there more

as she lay in her gown…

 

A rollaway is ordered

and a radio tuned

and as the pump feeds air

my delusions seem not sleek—but fair.

12:18: Bridgeport to Grand Central (leaving Westbury)

 

The platform vibrates

chanting “You are alone”

(But not really, I have some Perloff and Schuyler to keep me warm)

and when the doors opened I had already spotted you and

hoped you would get on the same car which you did

don’t know why—never really saw your face, just a figure found pleasing

accents in hair, bubble jacket the color of November

jaw the shape of jazz

in the car you read a textbook on econ

must be smart I deduced

or at least as studious as I

studied literary theory and the train chug-chug-chugged

where to? who cares? Just get me home

I notice your brown suede boots and wonder if they’re real

underneath me an antique ashtray breaks (though I don’t know it yet)

I suspect you speak with an accent from some place I’ve never been to

And you’re a bitch I can’t resist

My friends all warn me and it makes me hard

(Who wouldn’t want to fuck a myth?)

The green highlighter matches your eyes as both scan theories of dollars

(Which I’m sure you want)

I want to talk to meet those lips

to throw a checker into a game of chess

and see what happens.

I don’t, and can’t

and three-thousand miles away something important dies

though I don’t know it yet

“HAALLUM! This is the Halum stop, folks.”

It was your bag, come to think of it. Bright and red and

I was alone when you got off the train

(well, not really, I still had Schuyler and Perloff)

I even enjoyed our fights, come to think of it

(“Sweetheart, if it’s any consolation, I was 5 weeks premature you know. I’m overdetermined and underdeveloped by nature, and lucky to be alive—so’s my Mom”)

And chug chug chug to Grand Central

And I got off.

On second thought,

I think you spoke

just plain English…

When in December, I Think

(Haiku experiment)

 

We track time oddly,

With squiggles rigidly boxed

Atop a round, round world

 

& on January 1

 

Fireworks embark

and I do not care to know

if our kiss still lives

 

February

 

You saw the signs and

Tried your hand at recipes

Cooked for someone left

 

March

 

Light is brighter than

What I require, still sun-

bathe in your smile

 

April

 

Smiles can be false

And the best ones do sometimes

Have a calendar

 

May

 

I check a datebook

And you are not on any

Date I can locate

 

June

 

Telephones are loud

Especially when silent

(Why don’t you know this?)

 

July

 

Silence has become

me, enraged automaton

and mercenary

 

August

 

Humidity breaks

As does my disposition

But history stays

 

September

 

Sky where steel once was

I wonder will you even

Call and then I laugh

 

October

 

Ring! & truth is told

You fell right into a lap

I disregarded

 

November

 

We don’t know some things

Leaves don’t even know until

The tree says goodbye

 

December

 

Sentiments being

What they are this time of year

I hope you’re happy

 

All is not supposed

To make sense until we do

Something else that’s new.

Clams

 

In Maine I almost believed it

(or almost wanted to)

but her smile soon withdrew, and she collapsed

perhaps

beneath the weight of the unspoken.

 

Her back became my looking-glass then

Replete with blemishes enshadowed by the light

of a crescent moon which illuminate my plight.

 

Then, on toward March and we’re back in New York;

And the underlying nags like a tuning fork.

It hums, it throbs, and changes pitch, as in

“Do you like this dress?” and “How’s your tea?” and then it is

“Bills! Bills! Bills!!” and then “Work! Work!! Work!!!” and then

boxes are ordered, shippers called, detritus discarded,

and two hinges do their squeaky work.

 

In Maine, one day

I shall sport a beard and a greasy leather smock

and stand shucking clams for tourists from afar,

 

all the while warning them

of what Americans call “love”

while a crescent moon reminds me from above.

© 2015 by AYELET PRIZANT. All works © 2014 by JASON W. HAIT. Proudly created with Wix.com

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