Jason William Hait: A Life in Words
Poems

Rhapsody for George
Echoes dive inside an open wound
Fleet
Fleeing
Rising—wind kicks up behind
(can’t take all the credit)
Wait for more, wait for less
Both equals same
Want more, happy when less
Want makes more of value
Hurry up, slow down
A tree is missed in fall
Welcomed in spring
Bring spring! Spring tree! Spring!
Come fall! Renew! Renew!
Pattern, pattern, pattern…
Wake up. Buy coffee. Quit smoking. Start
again. Sleep. Dream. Did this happen?
Come fall! Come spring! Make it happen
in the dinners, the heartaches, the broken—
buy coffee. Buy new table. Chairs. Fancy whatever.
Display! Display! Display! Display some more! Accept and question
while smiling. Sleep and dream again—
of orange perhaps, or perhaps of—
no wait, never mind. Happiness is out of
the question—seek—fulfillment? What
is the difference. Need, need 2
more chairs from Ikea, perhaps
A new haircut, a new girl,
(that’s for sure)
Damn that tree looks lovely—maybe
I should plant one
That’s it. Plant a tree. Don’t know how to
garden. Will learn! Love earth, make oxygen
paper—hug it. Done.
Earth! Daisies! Nothing more. Nothing
more.
Maybe a bird.
A blue jay, perhaps.
Sayonara. Hello, I’m back. Blue suits. Live with it. You’ll have to. Where
would the spectrum be without it? Sloppy zippers keep the mental
suit ragged, threadbare
play another hand, pull that card out of
the pocket—
but wait—
How? Do you know what I mean? Do
you mean what I think I know?
No.
Buy a new suit. Find a new, a new anew—but—but—but—
Wait! Move! March!
Orange juice, coffee, suit, what’s for breakfast for dinner? And today? Tomorrow? Yesterday?
Remember then,
Sleep.
A Shadow Lucky
For Chris, Clare, and their daughter
& one day my niece will
ask me to tell her more about
the time I was a shadow lucky
to be cast by the light of two
who declared their love one day &
you’ll be across the room laughing &
I’ll point at you & tell her
that’s all she really needs to know but
she’ll ask for more &
I’ll explain that
when shadows & light complement each other then
you’ve found a recipe for love
as soothing as room temperature in August &
as vital as a fireplace on December nights but
she’ll hear the laughter & have already understood that
sincere words are mere shadows smiling behind the light of true action

Memory
There is an angel
trapped in a crevice
refusing to be freed.
I plead for her to flee,
while worriedly wondering
what I will do
when she listens to me.

Sestina
For Ayelet
If it strikes you with any sense of surprise
Then that is a fact I do not regret
Though it might confer a degree of ambivalence
To which the boldest emotional cartographer may never hope to return
There still lies in love this promise to refresh
And yet in all refreshment lies the promise of decay.
Should one find themselves on the island of decay
Or awash upon the gritty beaches of surprise
One might consider that they should refresh
And cleanse themselves of the grit and regret
And look toward a healthy return
To the shores across the way called "Ambivalence."
Once returned to the isle of "Ambivalence"
Behind your back might lurk the shadow of decay
And you might be wary of its inevitable return
(Though that should come as no surprise
in fact, and it's nothing you should regret;
rather, it's something designed to refresh)
And there is something in this word "Refresh"
Which carries with it a connotation that implies ambivalence
As if, in refreshment, there was an escape of regret
That was leading, inexorably, to overall decay;
If this comes as an unwelcome surprise
You needn't read on, you needn't return.
Should you choose, however, to grant me a return
You might find something to refresh;
Perhaps it is your own surprise
Or rather, your newfound lack of ambivalence
That throws into shadows the promise of decay;
That casts away the threat of regret.
Lovers and loves, I am filled with regret,
Yet each day I vow to return,
And cast aside this leech of decay
In the hopes that I bring something to refresh;
Though you might bring to me a healthy dose of ambivalence,
I might bring to you a healthy dose of surprise.
For it's the decay I most strongly regret;
And I mostly desire a return to the surprise—
But for now, I am content to refresh the ambivalence.

Masquerade
I have danced with delusions
and found them to be spirited partners
as we negotiated each treble and cleft.
Bereft of such noise,
I seek out my boys
And tell them to clean up their toys.
“Where’s Mom?” is the only question,
and “Dancing” is my only answer.
At night, when they are turned down,
I carry my frown to the hospital,
all the while wondering, pondering
who belongs there more
as she lay in her gown…
A rollaway is ordered
and a radio tuned
and as the pump feeds air
my delusions seem not sleek—but fair.

12:18: Bridgeport to Grand Central (leaving Westbury)
The platform vibrates
chanting “You are alone”
(But not really, I have some Perloff and Schuyler to keep me warm)
and when the doors opened I had already spotted you and
hoped you would get on the same car which you did
don’t know why—never really saw your face, just a figure found pleasing
accents in hair, bubble jacket the color of November
jaw the shape of jazz
in the car you read a textbook on econ
must be smart I deduced
or at least as studious as I
studied literary theory and the train chug-chug-chugged
where to? who cares? Just get me home
I notice your brown suede boots and wonder if they’re real
underneath me an antique ashtray breaks (though I don’t know it yet)
I suspect you speak with an accent from some place I’ve never been to
And you’re a bitch I can’t resist
My friends all warn me and it makes me hard
(Who wouldn’t want to fuck a myth?)
The green highlighter matches your eyes as both scan theories of dollars
(Which I’m sure you want)
I want to talk to meet those lips
to throw a checker into a game of chess
and see what happens.
I don’t, and can’t
and three-thousand miles away something important dies
though I don’t know it yet
“HAALLUM! This is the Halum stop, folks.”
It was your bag, come to think of it. Bright and red and
I was alone when you got off the train
(well, not really, I still had Schuyler and Perloff)
I even enjoyed our fights, come to think of it
(“Sweetheart, if it’s any consolation, I was 5 weeks premature you know. I’m overdetermined and underdeveloped by nature, and lucky to be alive—so’s my Mom”)
And chug chug chug to Grand Central
And I got off.
On second thought,
I think you spoke
just plain English…

When in December, I Think
(Haiku experiment)
We track time oddly,
With squiggles rigidly boxed
Atop a round, round world
& on January 1
Fireworks embark
and I do not care to know
if our kiss still lives
February
You saw the signs and
Tried your hand at recipes
Cooked for someone left
March
Light is brighter than
What I require, still sun-
bathe in your smile
April
Smiles can be false
And the best ones do sometimes
Have a calendar
May
I check a datebook
And you are not on any
Date I can locate
June
Telephones are loud
Especially when silent
(Why don’t you know this?)
July
Silence has become
me, enraged automaton
and mercenary
August
Humidity breaks
As does my disposition
But history stays
September
Sky where steel once was
I wonder will you even
Call and then I laugh
October
Ring! & truth is told
You fell right into a lap
I disregarded
November
We don’t know some things
Leaves don’t even know until
The tree says goodbye
December
Sentiments being
What they are this time of year
I hope you’re happy
All is not supposed
To make sense until we do
Something else that’s new.

Clams
In Maine I almost believed it
(or almost wanted to)
but her smile soon withdrew, and she collapsed
perhaps
beneath the weight of the unspoken.
Her back became my looking-glass then
Replete with blemishes enshadowed by the light
of a crescent moon which illuminate my plight.
Then, on toward March and we’re back in New York;
And the underlying nags like a tuning fork.
It hums, it throbs, and changes pitch, as in
“Do you like this dress?” and “How’s your tea?” and then it is
“Bills! Bills! Bills!!” and then “Work! Work!! Work!!!” and then
boxes are ordered, shippers called, detritus discarded,
and two hinges do their squeaky work.
In Maine, one day
I shall sport a beard and a greasy leather smock
and stand shucking clams for tourists from afar,
all the while warning them
of what Americans call “love”
while a crescent moon reminds me from above.